Arch Enemy – How much influence do I draw from this band, I cannot even begin to say. Michael and Christopher Amott are metal Gods! Their compositions are always loaded with melody but brutal heaviness at the same time.
The sixteenth note picking is key in this song to keep everything tight. If you lose the palm mutes, the essence of the song gets lost in translation. In short, it comes to sound like one big noisy track.
Palm mutes at 180 bpm for longer periods of time, is no laughing matter. It’s definitely a skill that needs to be worked on. My suggestion is to have a metronome close by. This will act as your guide to make sure you’re keeping the time properly; not to mention keeping your mind focused on the task at hand.
Whether you’re either analyzing or leaning how to play this metal masterpiece! Here’s how is how you go about it:
- Melody and Heaviness Balance: The duality of melody and heaviness is central to the song’s identity, making it dynamic yet punishingly heavy. This contrast is crucial to its appeal.
- Sixteenth Note Picking: Precision with sixteenth-note picking ensures the track’s tightness and clarity. Losing the palm mutes results in a lack of definition, turning intricate rhythms into a wash of noise.
- Technique and Endurance: Sustained palm muting at 180 bpm is a challenging feat. It demands both technical skill and physical endurance, emphasizing the need for consistent practice.
- Practice Tip: Using a metronome not only helps maintain tempo but also fosters mental focus during practice sessions. It’s an essential tool for mastering this technique.
This is the tablature for Bury Me An Angel by Arch Enemy.
Get your free tablature here! ——-> Arch Enemy – Bury Me An Angel Tab
